Sunday, July 14, 2013
Michael and I are standing in front of Queensland Conservatorium in Brisbane, Australia, with Mimmi Fulmer on the last day of the 8th International Congress of Voice Teachers. More than a year ago, I had been asked to contribute a chapter on ornamenting Classical and Bel Canto arias to a book edited by Scott Harrison, who teaches at the Queensland Conservatorium. He was also involved with hosting the conference, and he suggested that I give a talk on the material from the chapter. Continue reading
What an amazing experience! I got to play triangle in the Princeton University Orchestra’s two performances of Ravel’s Daphnis and Chloe. Years ago when I asked Michael if I could play percussion, he had said he wouldn’t trust me to be able to count 247 measures of rest from an instrumental part and then go “ding” in the right place. After all, I was used to singing the ongoing melody from a piano/vocal or full score. OK, I was offended, but I basically agreed. Since then, I have actually played percussion in various small things and not totally messed up. Daphnis, however, was another matter – long, hard, tricky. In the big climaxes there are 8 different percussion parts all whacking away. 
I have decided to take a break from practicing. The Richardson Chamber Players concert two weeks ago was a big success.Yet, as I wooped up to the high C at the end of Bachianas Brasilieras, I realized how much pressure I had been feeling leading up to this concert, and how relieved I was that I had gotten through it. 
The Music 214 concert was last Saturday night, and it was a huge success! During the Fall semester, harpsichordist Wendy Young and I were co-teaching Music 214 – projects in vocal performance, as a Baroque Solo Cantata class. 
I finally have some time to write about Dragon Mother. The whirlwind of the Fall semester has settled a bit over the holiday break and I can look back on the whole process of bringing this project to life. It started almost two years ago in the interval between semesters when I felt restless without enough to do. I decided to ask various composers to write pieces for me in the coming years. 
Here is Hugo, our new rescue dog, his first day in his new home on Opossum Road. We picked him up on October 24th, in Aston, PA from a foster home in the Mid-Atlantic English Springer Spaniel Rescue system. He was found poking in an ally in Lancaster, PA and taken in by MAESSR – a very impressive organization all around!. 
Heading to Kansas to sing High Holy Days again, I decided to go out there a day early and visit the Tallgrass Prairie National Preserve. I had seen an article about it in the National Parks magazine and it looked incredibly beautiful. About an hour and a half north east of Wichita, in the Flint Hills, it was a bit too far to go back and forth in one day. 
I have seen David five more times since the beginning of May. It has worked out to about 3 or 4 weeks between lessons, with various non-singing vacation/retreat weeks in there as well. Each time, he gave me new and different exercises. Usually I had just about gotten used to the previous set of exercises when it was time to learn others. 
It has been two years since I sat a regular retreat at IMS. During the ISPP year, I spent study retreats at the BCBS Farm House down the road, did two self retreats at home (see “Beagle Retreat” on the writing page) and discovered the deeper quiet of the Forest Refuge. Now I was back to sit with Steve Armstrong and Kamala Masters and 100 other new and old students of theirs.