I just got home from 12 glorious days at Forest Refuge and feel much revived and restored. It was the first time back in almost exactly two years when I was one of the last yogis there before the beginning of the pandemic shut the world down. Rebecca Bradshaw was teaching again, and it was also her first time back since March of 2020. At my interview with her the day after I arrived, she said “so, we return to the scene of the crime!” Yikes. The preparation for being away on retreat is always quite involved, but this time was especially stressful due to the strict testing protocols necessary to even enter the IMS buildings let along stay for 12 days.
I have been remiss in adding blog posts for the second half of 2021. Maybe it is because the pandemic seemed to be ending, which was scary and stressful as we went back to more normal activities, but then it came roaring back and kept on going. Life continued with both a sameness that was discouraging as we just made the best of it all, and a new anxiety as we tried to integrate a return to regular life in the midst of an ongoing pandemic and a changed world. Maybe what I thought was equanimity was actually a dullness masking anxiety. Even so, Michael and I have a lot to be thankful for: we remained healthy and safe and I enjoyed a lot of lovely bike rides on my new bike. Here are some highlights:
Just as I was pulling out of my driveway for the five-hour trip to Barre, MA and ten days at Forest Refuge, the oil change light blinked on my dashboard. Oh, no… I remembered there was some warning light flashing as I drove to FR in January of 2015 just when my mom found out that she had leukemia and her doctor suggested hospice. That was certainly a strange time to be on retreat. This time I knew I could easily take care of the oil change when I came home, but I had a sinking feeling that the warning light did not bode well.
I was so proud of Solène after she sang Barber’s “Knoxville Summer of 1915” with the Princeton University Orchestra on their March concerts. We had worked on it a lot last fall in preparation for the concerto competition. I loved teaching the piece to such a sensitive and talented singer, sharing all my favorite moments of interpretation and expression. It was actually good vocal practice for Solène as well, focusing on the simple, sweet, childlike quality of the music and text, learning not to overload her voice and do more with less. Continue reading →